As a result of accidentally botching a drug deal bust, brother FBI agents are forced to escort two young white females to the Hampton’s as kidnapping bait. Soon after the girls are exposed to the plan they back out leaving the brothers in a panicked state after their recent screw up. With no other choice they transform themselves into the sisters pretending to be them.
From the title to the names of characters this movie cleverly exaggerates various stereotypical forms of African American behavior in order to express white imagery. Social class, slang and even the style, are ways that director Keenen Ivory Wayans characterizes white people. White Chicks is a gold mine for reflections on race because it functions to put whiteness and blackness on display and resurrects the basic elements of racism(though with a lesson attached).
Some films actually go as far as to challenge anti-black racist stereotypes with a more direct approach and confront white privilege as well as the power it holds. White Chicks is similar to movies such as Some Like It Hot (1959) Tootsie (1982), and Mrs. Doubtfire (1993), where the theme centered around men disguised as women. However, the film presents the men disguised as women motif in order to present a serious message regarding racial relations in America.
White men continue to possess the majority of political and economic power in America even today. Hence, it can be argued that while wealthy white women are the main characters throughout, white men slip through the film counter-gaze of the brothers and that this slippage serves to reassert white male domination.