In Flannery O’Connor’s Good Country People, one element of the complicated storyline focuses on the conjunction between Hulga’s non belief in “everything” (though her human feelings of privacy and connectedness to her identity are highlighted) and the impact it has on her perceived dominance. It at first appears that she is the definition of negative: she was dealt a bad lot in life and, to cope, made herself into a miserable person with no belief in the world. She thinks of herself as inherently enlightened for realizing that nothing matters and that, as she puts it, “We are all damned” (70). It also appears at first that the Bible salesman is her complete opposite: he has a similar condition, but instead of wallowing devotes himself to positivity and God. Hulga prides herself too much, however, in her power as a superior person because of her education. In the binary she sees herself as “educated” and him as a “country boy” with no real substance. She allows this view, which is only what she wants to see, to cloud her judgement; it opens the door to him to scam and take advantage of her. However, by parading as a foolish Country Boy, the boy takes her position of power and leaves her helpless, furthering the power cycle.