Throughout the entire first part of The Stranger, the thing that sticks out to me the most is how Meursault views each situation he is placed in with what I would describe as nonchalance. I have found that, in most stories, there is almost always an end game for the protagonist; there is always some ambition that is striven for, whether it be based on personal gain, the defeat of a greater evil, emotions, or the betterment of society. However, in this story, it would appear as though Meursault has no end game. When his boss offers him a job in Paris and he says he doesn’t care either way, his boss tells him that he has no ambition. To me, this indicates that Meursault’s lack of ambition is part of the theme of the story. To have an antagonist who doesn’t have an ambition, who doesn’t truly desire anything, makes for an intriguing read because you can’t see the ending. When you have a main character like Mearsault, who isn’t driven by any one thing, it can be almost impossible to predict his actions. For instance, when he shot the Arab man at the end of Part 1, it wasn’t an act of revenge, but rather a kind of instinctual response to his exhaustion and disorientation. As the narrator says, “everything began to reel”. What I think Part 1 is trying to express is the danger of the unpredictability that occurs when a person has nothing to drive them, or to ground them.