Sisyphus is not Happy

Camus’ argument that Sisyphus is the happiest person in the world is just a flat out lie. I would like to know how pushing a rock up a mountain for the rest of your life brings happiness. Just because Sisyphus was “the wisest and most prudent of mortals” doesn’t make him the happiest. I actually would like to argue that his realization is what makes him the most sad man in the universe. I’d like to connect Sisyphus and Camus’ theory to a show I watch called Rick and Morty. I’m going to focus on Rick who in the show is the smartest man in the galaxy and is basically a God because of this. But on the other side of his intelligence is that he is extremely depressed, because he is so smart that he realizes that he is in a TV show and knows that his life is “absurd”. This is almost directly tied to Sisyphus and maybe his wisdom has allowed him to realize that life is absurd while the rest of us live our life with the window dressing of meaning.

Nabokov and Good Reading

Nabokov’s perspective is very interesting and easy to digest. You can’t look at a book before you’ve read it the same way you can look at a painting. The art is only fully displayed for you when you re-read. This is similar to re-watching movies and getting different things from it each time. This is because you know the story and you now have that leverage to interpret the dialogue or imagery. I have shown friends shows with major plot changes that assume they can review the show after watching a couple episodes. This is very frustrating and annoying. It is a fair point to make that when you dip your toes into a story that you don’t always want to go all in from the get go. Not every piece of media has an attention grabbing opening that hooks you. Some times, you have to swim a little farther before your caught on the hook. There is no solid answer to solve this small conundrum. There is advice and second opinions but that’s it. An example for me would be when I began watching Neon Genesis Evangelion, I automatically interpreted the entire show to be about a depressed kid who gains confidence through fighting with giant machines. I’m so glad I came back and finished it because it is one of the best written shows ever made

Lost In Translation And Existentialism

The Discrepancies Between The Stranger And L’étranger And An Existentialist Conversation

I sat down to read L’étranger for the first time a few springs ago, and every so often I reread the first few pages or chapters aloud.

The flow of …

Aujourd’hui maman est morte. Ou peut-être hier, je ne sais pas.

Camus, Albert. L’étranger. Éditions Gallimard, 1942, p.1.

… is something that has burned into my memory.

Reading both the English and French version of the novel evokes vivid images and a world I constructed and fabricated so clearly sophomore year. Rereading the first few pages of this book had become an almost obsessive behavior, but it was comforting because it transported me to a world that paralleled a time in my life that felt hopeful and purposeful (which was somewhat ironic). I associated the way Meursault would hold a cigarette, the vast expanses of Algerian beaches, the bright lights of the funeral home, and the red sores of Salamano’s dog with the end of my sophomore year in an inextricable way.

When I picked up this book in English for the first time, I was off put. The same images that came with the rhythm of the French version that I had read aloud repeatedly ceased to appear. It was strange, so I would blink, and attempt to read again and conjure up the world of Meursault. I think that as I continued to read, but there was always a certain uneasiness that followed. Which maybe was an appropriate accompaniment for the book.

This anxiety that I am missing something surfaces everytime I read a book that I know was originally in a different language. Anna Karenina should be in Russian, Norwegian Wood should be in Japanese – what is slipping through the cracks of the language barrier that I will never be able to grasp? I trust modern translators, and I know that popular translations are meticulously constructed to preserve the original meaning. But I also know that there will always be something missing – which makes me want to learn more languages. But then I wonder if learning these languages outside of a native context will skew my understanding.

Nevertheless, last school year I hadn’t thought of Meursault for a while until 2020 had upturned all of our worlds in March.

Similarly, I recall turning to Huis Clos (No Exit) by Jean Paul Sartre in order to explain the absurdity and relentlessness that this year. I prominently recall a list of existentialist vocabulary that prefaced the play in our thin paperback copies.

L’absurde – Reality is absurd because we recognize our inability to explain its existence. The outside world exists without apparent justification, foundation or purpose.

La nausée – Nausea is the feeling of repulsion that takes us when we become aware of the absurdity of reality.

L’angoisse – Anguish is the normal condition of those who have become aware of their total liberty, and the fact that there are no universal values that can justify the choices they have made.

L’authenticité – A man who has grasped and accepted the fact that he is free, who has realized what his situation is, and who has, within that situation, chosen to engage himself in the world around him so as to affirm his liberty, is an authentic person.

Le choix – Man is condemned, because he is free, to choose what he is going to be, by his daily actions. This choice also implies the attitude of the Others and hence is another source of anguish.

La liberté – To be free is to recognize one’s complete independence; to make one’s own life through one’s own initiative; to reject any idea of absolute Good or absolute Evil and to accept no judge or mentor to save one’s own conscience.

I remember writing that I was overcome with la nausée while driving in my car, listening to Dreams by Fleetwood Mac last spring. I had taken to driving long distances with my Dad as a form of escapism. I would drive along rural highways and never get out of the car, and that gave me a lot of time to be pensive. I felt as if I was hit by something so large and overwhelming that is was indescribable. It sunk in my stomach like lead. And everything around me seemed to take on a new lens as irrelevant and frivolous. As a went through the sequence of trying to justify the turbulence that had uprooted my junior year (before March, I had also had a difficult and unusual year), I realized that searching only made it worse.

It was cringely nerdy, but I had to take out my copy of Huis Clos in order to explain and document this feeling that had overwhelmed me on the drive. I realized that this was la nausée, but this brutal experience had taken me one step closer towards la liberté. It was something I had to grapple with in order to move away from the brink of hopelessness. Which I sometimes fear removes its authenticity. I can’t use it was a means to escape something, because that is just as harmful. I think I am grappling with my relationship with l’absurde everyday, but not in too conscious a way. It is a balance that I will be trying to find for the rest of my life.

Who Is the Real Robot?

While at Celeste’s, Meursault eats dinner with a small woman. She is very direct, precise, and quick. This intrigues Meursault enough to follow her after dinner to see what she does next. This woman is described as a “robotlike” (43) by Meursault. This woman seems like a foil to Meursault because she does everything with direction: “Ordered her whole meal all at once… While she was waiting for her first course, she opened her bag, took out a slip of paper and a pencil, added up the bill in advance, then took the exact amount, plus tip, out of a vest pocket and set it down on the table in front of her” (43). From the moment she sits down she does everything with purpose. This is clearly the opposite of Meursault, who through the story aimlessly lets life happen to him as he does things like turn down promotions and marry a woman he is not in love with.  

Calling her the robot woman seems odd as Meursault could be described as a robot himself. He seems to feel no emotion and just does exactly what he is told to do. I think this woman could be an example of why some critiques of existentialism and Meursault are hypocritical. As some say that it is dark and assumes life has no meaning. The character of the robot woman shows how a person that is the exact opposite of an existentialist, one that has great belief in the systems that humans have created, could be just as bad. As while Meursault seems not to decide anything for himself she does not either, as she is trapped in a routine determined by systems outside of her control. Meursault and the robot woman show how opposite extremes in world view could result in similar people.

The Passing of Time (and Character)

The Stranger written by Albert Camus is largely a stream of consciousness into a character Meursault. Things happen in the plot, events that would change someone’s life permanently, but the narration is so distant that it brings the focus away from the plot and to the mind of the character.

With Meursault as well as Camus’ portrayal of Sisyphus in “The Myth of Sisyphus”, the characters that are attached to existentialism aren’t philosophers; they are unaware of the exact nature of what distinguishes them from others. Sisyphus goes from sad to happy in his respective story, which is a little simpler of an interpretation of the philosophy despite its being much more difficult to read. Meursault is more complicated in that he isn’t necessarily happy or sad, or important even in his own head. He finds some enjoyment in daily activities like eating and napping, and finds conversations interesting, but he feels neither doomed nor enlightened.

For a lot of the story, Camus seems to throw problems and events at Meursault to see how he reacts.

A lot of time passes in the first and second chapter of part II. And for the most part, Meursault’s lifestyle is stagnant. The eleven months that pass of his questioning have virtually no effect on his mental state, and his five months in prison only act as a rehab from things like going to the beach and smoking, and then he becomes adjusted and lives what to him is a complete life, with brand new daily activities:

“So with all the sleep, my memories, reading my crime story, and the alternation of light and darkness, time passed” (80).

I think that losing track of time is less of an effect of prison and more of the natural consequence of an existentialist philosophy, personified by Meursault’s circumstances. Meursault values life for the sole purpose of being able to live, but there’s no reason for him to value time. There’s evidence that Meursault has abandoned parts of his life just to lead a simpler life, and this chapter shows that he also has the ability to abandon time. So, where Camus threw a prison sentence at Meursault, he discovered something new about how Meursault wants to live life.

The following is my favorite quote from the story (so far).

“At the time, I often thought that if I had had to live in the trunk of a dead tree, with nothing to do but look up at the sky flowering overhead, little by little I would have gotten used to it” (77).

The Sun: Meursault’s Spotlight

The story The Stranger by Albert Camus introduces a character named Meursault, who some could argue is just passing through life and not caring about the attributes such as love, religion and family that people would say makes life worth living. In the story, there is a constant mention of the sun. The sun’s brightness and heat seems to be described in key moments, such as Meursault’s mother’s funeral and the moment on the beach where he decided to go back to the man that was following Raymond. The sun acts as a spotlight on this emotionless, empty character to face reality. It seems as if Meursault makes all his key decisions because of the blinding of the sun beating down on him. It’s inescapable, (unlike everything else in his life.) Meursault felt trapped by the sun’s beams : ” …”Strained every nerve in order to overcome the sun and the thick drunkenness it was spilling over me”(57). The sun’s power allows Meursault to shoot and kill the man. In the beginning of the story, there are multiple mentions of the brightness of the room Meursault was sitting in with his mother’s friends mourning her. The lights and sun makes him see the world in its real light. He sees his mothers friends sad over her in that moment, as well as makes a decision to kill the man on the beach under the spotlight of the light. He can’t hide from it, its always present over him. Kind of like society’s norms and expectations on what makes live worth living.

Existentialism and Gender Identity

Existentialism is a theory that emphasizes the importance of free will and determining your own fate. A fate that is not determined by social constructs such as family, love, religion, and gender. Existentialists believe that society should not restrict an individual’s life or actions and that these restrictions inhibit free will and the development of that person’s potential.

When it comes gender, society usually puts emphasis on the MALE/female binary. We are socialized through our families, our education, and the media to believe that certain characteristics make up these two genders. This binary that is forced upon us in not an accurate representation of our community as gender is a spectrum and not everyone’s gender identity matches with their birth sex.

However, how a woman looks and acts is drilled into our brains since birth. Society sets standards. If you meet them or rebel against them is theoretically your own choice. Rebelling against society’s standards is easier said than done. With our constant exposure to the portrayal of gender whether through the people we interact with the movies we watch, at some point both working to fit the stereotype and working to defy it, our choice is not purely our own.

As a young woman, I have debated this choice. Do I stray from the mold? Is it even my choice?

From a young age, I identified as a “tom-boy”, which is the six-year-old versions of refusing stereotypical gender roles. I would not let an article of pink clothing touch my body, because it was too “girly”. Later, I choose to reclaim this “femininity”. I wore pink. I did my make-up. I thought it was my choice to reclaim these “feminine” habits. However, through the view point of existentialism, this choice was not free will. It was heavily influenced by society and its archaic gender roles.

Is it called human condition or Sisyphus?

As Camus made Sisyphus’s condition from his punishment contradict and compare to the condition of a human, I agree over the implied conclusions Camus made over the human condition within his argument.  Humans go throughout their lives working vigorously while struggling pointlessly to achieve something as they visualize a version of success that a specific individual aspires to obtain.  Many humans set goals that all in all have value in order to seek benefits in life, bringing individual success.  Sisyphus being forced to attempt to push a stone to the top of a mountain has no value if he were or weren’t to complete the task as the stone would stay on the mountain for eternity.  This compares a human condition we tend to call failure, as there are times humans work vigorously towards success but aren’t completely accomplished.  Sometimes the struggle in order to get to success doesn’t pertain towards anything significant within life making the struggle humans go through pointless.  This human condition is what makes a human or Sisyphus’s life absurd as the confrontation we have between ourselves as individuals who strive for success is absurd compared to the struggle and hardship we withstand to grow closer to success even when the success is completely meaningless.  All in all, I agree with the reading of the myth and the conclusions implied about the human condition as Sisyphus is struggling to a point where it’s pointless just as humans do when they set goals, making Sisyphus an exemplar to the human condition.

Is Meursault an existentialist?

Existentialism is the concept of individual freedom, choice, and control over one’s destiny. In The Stranger, Meursault remains an amoral character. He doesn’t display strong feelings toward anything. This behavior separates Meursault from the existentialist because they have an interest in ethics and morality. Existentialists do not believe that morality and belief systems are required. However, many existentialist still choose to develop their moral compass and exercise it through freedom and choice. Meursault doesn’t seem to be interested in “correctness” at all. Whether it is society’s rule or his own opinions, Meursault doesn’t care. He is like an inanimate leaf floating through life on a gust of wind. His lack of choice represents the opposite approach that many early existentialists advocated. In part 1 of the novel, Meursault is the result of simply living to stay alive and responding to any immediate discomfort. To the reader, he appears lost, causing us to consider what gives us purpose? An existentialist would say that Meursault’s life matters because he has it, but would Meursault agree? 

Camus Argues That Happiness is Perspective

In “The Myth of Sisyphus” Camus writes of the tragic story of a man stuck in the underworld pushing a boulder up a hill for it only to roll down again. However, despite the clear suffering that Sisyphus experiences, Camus somehow turns the reader into thinking that Sisyphus is content with his situation. Camus writes, “One must imagine Sisyphus happy” (3).

Camus argues that even though his situation isn’t ideal for him, Sisyphus can still value his life by having the mindset of enjoying his presence. This can relate to existentialism because it creates a meaning of life. People have to create a meaning of life in order to live their lives with purpose and happiness. Although the true meaning of life has yet to be found, and most likely will never be found, people can create a fake meaning of life in order to cope with the inevitability of death and curiosity. I also think that happiness is a mindset, and it can be found in any situation despite suffering. This was the argument that Camus writes, and I think that existence as well as the meaning of life is all about perspective.

I watched this Key and Peele skit the other day where they were being tortured and instead of feeling sorry for themselves, they chose to laugh about it and find the good sides of it. As their legs were being chopped off, they talked about how they needed a good break away from their phones. I thought this related to the topic because it is all about how someone perceives something. The skit is called “Key and Peele – Psycho Clown” if you want to watch it. I would very much recommend you watch it and it’s only 3 minutes.

What Is An Existential Crisis And How Do They Impact Us?

I don’t think there is any better time than 2020 to be talking about existentialism and existential crises. An existential crisis occurs when a major life event, not necessarily a positive or negative, occurs and causes a person to start asking questions about their identity.

Imagine you are a musician who has been playing an instrument since a very young age. An opportunity arises to perform a solo at a concert and you practice and practice and practice to absolutely nail your performance. But when the time comes, you play notes offkey or out of time and totally bomb and begin to question whether the time you put into music was really worth it.

The choice to pursue music was one you made off your own free will (exercising existentialism) and ultimately grew to become a large part of your identity. Existential crises are necessary for our growth as human beings since they can provide new outlooks on life and existence and also force people to face the choices they’ve made in the past to create their identity.

Life Has No Meaning… Kinda

When I hear the phrase “there is no meaning to life”, I’d almost agree except for one exception- I believe there is no universal meaning to life.

After our class discussion about existentialism, it became abundantly clear to me that no matter what the opinion of life was, everyone had their mind made up on a specific meaning of life. Some argued that love is the ultimate goal, while others stated that we are all just avoiding death.

Our own individual experiences with life shape what we believe the meaning is, and that’s what I think makes this conversation so interesting. Existentialists can argue that one theory makes the most sense, but in actuality we all are clueless as to what the meaning of life actually is. Religion, our upbringing and experiences, our thoughts and ideas- they shape our own explanations for why we are here.

It’s hard for me to gather the words to explain my thoughts on existentialism because it is so universally confusing. No matter what we believe the meaning of life is, there is the underlying truth that no one really knows why we are here. The only thing we can do is come up with our own explanation to help rationalize this absurdity called life.

Love Is Not a System

The theory of existentialism is probably the most negative theory I have ever heard in my life- but it is true in many ways. Systems such as school, politics, educational goals, and fashion were created and enforced by humankind. In the end, these factors are meaningless to the universe because they are all “made up.” However, you cannot put love in the category of systems.

Love is a feeling- it is not a made up system. Sure, the word love was created by a person, but the feeling was not chosen by anyone. Love is its own emotion. It is a mix of happiness, anger, sadness, excitefulness, and can even cause physical feelings such as heartache. Love is felt by babies towards their mothers even if they have never heard the word.

I understand existentialism, and I realize that many factors in life are truly absurd. But love should not be represented in this system. It is a strong sense that most people experience at some point in their lives whether they want to or not.

Meursault Is the Stranger

From what I’ve read so far, I believe that Meursault is the stranger. A stranger is someone who is an outsider or a foreigner and I noticed that Meursault is a stranger to society and somewhat himself.

He doesn’t follow social norms. He didn’t show compassion for his mother, Raymond’s girlfriends, Salamano’s dog, etc. In the eyes of society, his kind of behavior is regarded as bizarre. Meursault does not understand why events have a sentimental value for people and this is what makes him disconnected with society. In addition, I think that he is a stranger to himself in a way, but not more than he is to others. He goes through events without a plan and without commitment to either principles or people. He doesn’t know who he is and he doesn’t care. Meursault is a stranger and an absurdity to society because he does not show any emotions, he has no meaning for life, and his only certainty and guarantee is death.

What’s a God to a Non-Believer?

Meursault lacks the ability to interpret the meaning of his own existence in this world. He is unable to put his life in sequential order and because of this he cannot identify the past, present, or future. He’s is finally being held accountable for his own existence. He can’t just float through this event in his life because he actually has to be conscious for it. Meursault was only truly made conscious though the inevitability of his death. He realizes that hope only delivers torture because it creates the false illusion that he can change the fact that he is going to die when he can’t. Meursault finally begins to accepts and even embrace that his views make him a threat and stranger to society. This is why he is being sentenced to death, not because of anything that went on in the trial. Meursault discovers that him and the world are alike because neither of them pass judgments. The world does not rationally order and control the events of human existence and this is somewhat comforting. When we die, the world doesn’t care that our bodies will leave themselves in it’s dirt, but it doesn’t matter because it happens anyways. “I open myself to the gentle indifference of the world” (Camus 122) Meursault finally finds peace in the end through his death because he finds freedom in his unimportance.

The Significance of the Weather in Regards to Existentialism

Throughout Albert Camus’ story “The Stranger”, Mersault often describes in great detail the weather and Camus goes into great descriptive imagery about the weather throughout the story. As soon as the story starts off, Mersault states, “I caught the two o’clock bus. It was very hot” (1). Often times throughout this story Mersault is effected by this “heat” which leads him to do bad things as the story progresses. Moments before Mersault killed the Arab, he goes into detail about the scorching heat and how it effected him and even compares the heat to be the same as the day when his mother passed. He states, “All I could feeel were the cymbals of sunlight crashing on my forehead..The scorching blade slashed at my eyelashes and stabbed at my stinging eyes…My whole being tensed and I squeezed my hand around the revolver” (59). He then shot and killed the Arab.

In regards to “The Stranger” and Extensionalism, I believe that although Mersault is constantly questioning his humanity and morals, he still has that humanity in him, he still can tell (maybe even through the weather changes and noticing the weather) what is right from wrong. Although his morals are skewed, we may be able to see his humanity in his extensive imagery.

The Care of Another

The main character Meursault is called an emotionally detached figure by many in Albert Camus’s The Stranger. But while reading we learn that he craves the emotion of others although he rarely feels it himself. Although he seems unmotivated through the book giving up at times, it is his unconscious brain guiding him towards making the big decisions. Which creates a relationship or sets him up with those that can award him with compassion. This common motif throughout the story silently drove and/or influenced; him to marry, become Raymonds friend, and to kill the man. In all these moments he confessed to the reader, “As always whenever I want to get rid of someone I’m not really listening to, I made it appear as if I agree. (69).” Instead of thinking of Meursault as an uncaring person, we realize he is simply unable to show compassion. But it is unspoken that he craves the very thing that he cannot possess.

Absurdity In The Eyes of The Reader

Mersault’s character is direct; he sees things how they are without reading into anything, finding meaning in anything, or expressing any real emotion. His view of life is, to say the least, unusual. Though he appears this way to the reader at first glance, his actions suggest a deeper humanity that other characters cannot see in him.

When he is in the midst of his examination Mersault reflects on the clerks’s menaing of life: “That was his belief, and if he were ever to doubt it, his life would become meaningless. ‘Do you want my life to be meaningless?’ he shouted…. But from across the table he had already thrust the crucifix in my face and was screaming irrationally, ‘I am a Christian. I ask Him to forgive you your sins. How can you not believe that He suffered for you?'” (Camus 69).

The clerk defines his life’s meaning based on Christianity, and is utterly confused when he realizes Mersault does not have even an inkling of belief; the thin reality the clerk holds onto threatens to crumble and he grow irrational and terrified.

Mersault is confusing and absurd to other characters, but Camus frames him in this way for that exact reason: to make not only other characters, but the reader uncomfortable. He is meant to make one rethink the constructs of life and recognize that everyone has different definitions of a life well lived, and that meaning must come from a place deep enough that it cannot be so easily unravelled.

Crazy Story

I always look forward to sitting through English class with Mr. Heidkamp in the AM of every A day because its practically my first class considering I have gym 1st period. Even 2 days back when I woke up from a late night sleep with my eyes half open and Mr. Heidkamp started speaking what I thought was Chinese. No of course he wasn’t actually speaking Chinese but he was definitely spitting out some knowledge to us youngsters. I feel this lecture given by Mr. Heidkamp resembles an old Gandalf the grey revealing his magical secrets to his fellow hobbits. Not only do I mention this resemblance because of the funky hat but because of what was being discussed. Mr. Heidkamp reviewed the term existentialism which I had never heard before and I guarantee I wasn’t the only one. He then thoroughly discussed multiple meanings of life that tie in with existentialism. I for one completely disagree with the theory. I don’t believe life is just one big simulation created by the society we live in. The decisions you make in your life shape the type of person you are, life is what you make it. Everyone in this world is different from each other, everyone carries a different mindset, everyone makes their own decisions. If life is just one big simulation then it doesn’t bother me because in my eyes I’m living in my world, I’m living my life, controlling my own destiny,

Are We All Socially Constructed?

A few weeks ago, my family had a movie night. We decided to watch the new Netflix movie, Social Dilemma. I had already been familiar with how addicting and damaging social media is, but many parts of the movie surprised me. I was scared to learn that everything we do is recorded in order to make social media more addicting to each individual. How long you look at every post or website is recorded, and then your feed is increasingly tailored towards your interests. In this movie, they also shared how much our personalities are influenced by what we view everyday on social media. I started to ponder how much every person I know is actually genuine. Or is everyone becoming more and more like a machine?
In our Wednesday class, when we started discussing existentialism, this movie popped into my head right away. More specifically, when we talked about each of our lives and the social expectations at each stage of our lives. It seemed that our class was pretty divided when certain questions like, “Is love real?” were introduced. Like my thoughts during the movie, I wondered, is the feeling of “love” real, or is it socially constructed and we only feel “love” because we are so pressured into feeling it? And is this “love” the meaning we all search for in life?