I wanted to use this post to circle back to a conversation we had in class late last week, where several classmates and I raised our concerns/critiques of Nobakov’s “Good Readers and Good Writers.” I want to reiterate and clarify that, although I understand the need for a framework when reading in a literature class, I deeply disagree with his argument about things “good readers” do. Nobakov says that in order to be a “good reader” one must use an “impersonal imagination,” where they do not see themselves in the story nor connect it to their own life, but instead properly immerse themselves in the world they are reading about. I see where he is coming from here, but I stand by that a key rule of art–maybe the only rule art has–is that the artist gets no say in how people interpret their work. To try and demand how a reader sees your writing is not only impossible, but also somewhat narcissistic. It’s a sign of a god-complex: a hubris large enough to think that an author has the right to control the inner workings of a readers brain. One of the most valuable aspects of art is the variation in how different people interpret the same piece. When Nobakov tries to control how we read, he attacks that aspect of the process, which does a disservice to the readers and to the work itself.