How The Cure’s “Let’s Go To Bed” Ties Into The Stranger

In 1982, The Cure released a single titled “Let’s Go To Bed”, a new synth-pop sound that was drastically different from their previous work. To start, lyrics aside, the history of the song also ties into The Stranger in a way; The Cure was known for their gothic rock sound and it was predicted that the song would be hated by traditional fans of the band. However, Robert Smith, lead singer, guitarist, and songwriter of The Cure disregarded this fact and didn’t care that it may be hated, saying he enjoyed the song so it didn’t matter if it was hated. This could be tied into how Meursault does as he pleases without regard for how it may be received by other people.

As for the lyrics, they can definitely be connected to Meursault’s relationship with Marie and how casual it is, given that he feels little to no attachment to her, only really enjoying her company for casual sex. The chorus of the song is the repeated lines of “It’s just the same – a stupid game/ But I don’t care if you don’t/ And I don’t want it if you don’t/ And I won’t say it if you won’t say it first”. This chorus relates to his relationship with Marie in the sense that Meursault doesn’t attempt to start anything with her beyond casual activities. On his dates with Marie, Meursault often points out the pauses of silence between the two and that if Marie is being quiet, he won’t say anything and just leaves it at that. When Marie asks Meursault if he loves her and wants to marry her, he says that either way it doesn’t matter or make a difference to him but he will go along with what she wants. If Marie had never brought up marriage and love, a conversation about it wouldn’t have happened because Meursault definitely would not want or say that first. Meursault also says during their conversation about marriage that he would’ve said the same thing to any other woman, which could be related to the line “Another girl, another name” in the song.

Overall, both Meursault and “Let’s Go To Bed” frequently speak of causal relationships that don’t have much meaning outside of basic enjoyment, a recurring concept in The Stranger.

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