Throughout his career, Donald Glover’s various works serve as significant critiques of societies long-lasting, or profound effects on humanity. Under the musical persona of Childish Gambino, specifically on his second major studio album Because the Internet, Glover is able to unpack the animalistic behavior stemming from the dehumanizing nature of social media and the internet. Despite sounding on the surface like a traditional 21st century hip-hop track, his song “II. Worldstar” follows the albums central character, “the boy,” losing his sense of humanity, being consumed by his obsession of the idea of temporary internet stardom, using the popular mid 2010’s social media app Worldstar to do so, hence the name of the song. Through Gambino’s metaphorical lyricism, along with interludes from his brother, Glover gives the listener a sense of the consuming nature one experiences by attempting to achieve online fame.
I’m more or less a moral-less individual
Making movies with criminals, tryin’ to get them residuals
Within the first verse, Gambino is able to establish the boy’s fall to the captivating force of the internet, detailing how his time spent trolling internet goers on previous tracks of the album has led him to being less more or less a “moral-less” person than what he once was. Furthermore, within these two lines, Glover is able to display the crude motives of the boy, emphasizing his desperation to make money by filming fights with criminals through Worldstar.
When I hear that action, I’ma be Scorsese
My nigga, hold it horizontal, man, be a professional
Damn, my nigga, be a professional, what you doing, man?
Later in the first verse, Donald inserts a metaphor between the boy and Martin Scorsese in order to emphasize the boy’s enjoyment and excitement on recording fights on Worldstar that he deems to be on par with action movies directed by Martin Scorsese. He then couples this metaphor with the interjection of his brother Steve G. Lover demanding the boy to hold the phone horizontally as to seem more professional and to capture the maximum footage of the fight possible, upping their chances at a viral video.
Let me flash on ’em, we all big brother now
Towards the end of the second verse, Gambino further emphasizes how upon exposing those in physical confrontation to a flashlight from a phone or a device, it makes the person recording a sort of omnipresent force, giving them full control of the privacy of those in the altercation, essentially making them “Big Brother.”
[Interlude: Steve G. Lover]
Yo, bro, man, check out that video I just sent you, man
This shit is hilarious, man, it’s like this kid, man, he got like sh–
He got like hit on the side of the head, man, he’s like freakin’ out
Like, heh, it’s like he think he completely lost blood and shit
Hahaha, it’s hilarious, man…
Finally, proceeding the outro of the song, Glover introduces a second interlude from his brother, detailing the comedy in a Worldstar video he saw online. This final stanza is used to emphasize the overall theme of the corruption the internet brings in regards to overall humility in reacting to the violence portrayed on social media.
One thought on “Hold It Horizontal”
I agree that this song is poetry, every lyric of this song has some kind of deeper meaning. Great analysis!