Nothing But Animals: An Exit West Analysis

 “She felt fear, a basic, animal fear, terror, and thought that anything could happen”

Exit West by Mohsin Hamid

In his novel Exit West, Mohsin Hamid uses vignettes to display the effects of the migration through the eyes of different people across the world. Unpacking these vignettes is always a pleasure to do in class as they always bring us as readers closer to the story, immersing us into the world.

In one of his vignettes following a woman facing the effects of the greater world migration in her home country of Vienna, Hamid conveys the theme of people exhibiting reactions of nativism, and activism in response to the civil unrest. Hamid does this through displaying the native peoples of Vienna reverting to a sense of comfort in power dynamics, inevitably losing their humanity, with the woman displaying courage, and hope, actively protesting the invasion of the militants and supporting the migrants. Hamid conveys this distinction metaphorically through an an extended metaphor of animals representing nativism. 

In lines 34-35, upon entering a train on her way to protest, she’s met with hostility from other citizens she considers family due to their shared nationality. “She boarded the train and found herself surrounded by men who looked like her brother and her cousins and her father and her uncles, except that they were angry, they were furious, and they were staring at her and at her badges with undisguised hostility, and the rancour of perceived betrayal, and they started to shout at her, and push her, that she felt fear, a basic, animal fear.” Here Hamid points out their animal like behaviors of the men on the train towards the Woman, showing how the civil unrest in the country has caused them to lose their humanity, attacking one of their own for advocating and maintaining humanity towards the migrants.

In lines 40-44 of the vignette, we see the Woman going to begin her journey to protest the militants occupying her country, going towards a zoo to do so “She gathered her courage, and she began to walk, and not in the direction of her apartment, her lovely apartment with its view of the river, but in the other direction, the direction of the zoo, where she had been intending to go from the outset, and where she would still go.” The choice of the location where she protests being a zoo, alludes to the overall inhuman actions of both the militants Viennas citizens toward both the Woman attempting to support those seeking asylum in the country.

Exit West: Why Magical Realism?

Exit West is a novel full of complexities and commentary on migration, relationships, death, war, loss, and the evolutions of our identities over time. What one has to wonder, amid all these layers, is why Hamid chose magical realism as the framework through which to tell this story. Arguably, he could have written a realistic fiction novel that could tell a distinctly similar narrative–or at least communicate the same themes–without the use of magical doors.

I would claim, however, that magical realism is a critical part of Hamid’s story. Through the clearly fantastical element of the doors, Hamid creates a world that is just removed enough from our reality for him to comment on modern society while maintaining a certain distance from it. It’s not hard to draw connections between Saeed and Nadia’s story and real-world debates around immigration, international tensions, racism, and xenophobia. Hamid does not try to hide those themes, but he also doesn’t comment on them directly. He creates this world that is almost ours, but with the distinct difference of the doors, in order to explore these ideas in a more theoretical context. Exit West is the story of our world, if something were to happen tomorrow that destroyed our notion of nations and borders as we know them. That theoretical gives Hamid room to explore vast societal issues without directly commenting on any current events. It allows him to create a vividly relevant novel without referencing any specific real-world events, which both makes his commentary more powerful–as it can stand on its own, without the need for outside context–and helps the reader maintain a Nabokov-style impersonal imagination throughout the story.

Migrant Vignettes: A Global Story in Local Vernacular

In the textbook The Modern Middle East, historian and author James Gelvin describes the history of the Middle East as a “global story told in local vernacular” — which is to say, the region’s history of modernization, colonization, development, and role on the world stage is reflected similarly in other regions across the world. In Exit West, Mohsin Hamid takes a similar approach in telling the global story of immigration with local vernacular, focusing on the single story of Saeed and Nadia and their experiences of emigration (coincidentally, from a country implied to be in or near the Middle East) and resettlement and adaptation while still holding on to their past.

Yet, Hamid also interjects the book with vignettes into different regions of the world, from Australia to Dubai to the Mexican-American border. Some find love, like the elderly man from Amsterdam and the wrinkled man from Rio de Janeiro (173-176), while others find new life, like the suicidal accountant from London (129-131). Some find a cause to fight for, like the young woman in Vienna (109-111), while others use it as a means to act for cause they are willing to die for, like the second man who is implied to be a terrorist from Saeed and Nadia’s home country traveling to Vienna (66-58). Even those who don’t immigrate are faced with immigration all around them, such that they end up in a place very different from the one in which they started, like the old woman in Palo Alto (207-209). The characters of these vignettes are all unnamed, with the implication being that their experiences are representative of the varied yet similar experiences of all humans.

Hamid tells of the global possibilities of the effects of immigration through individual, localized stories written from individual perspectives. It seems that Hamid intends to say: everyone is affected by migration, and though each individual’s experiences are unique, they are all comparable.

NOTE: I took the “global story in local vernacular” quote by James Gelvin from his textbook, which is used in Mr Wolman’s Modern Middle East History course.

Exit west: is anyone really a native?

Exit west, by Moshin Hamid, is a book that depicts the world turning almost upside down, with national borders almost dissolving. Another thing that exit west turns upside down is the subconscious colonial assumptions that we have. One of the ways that Hamid subverts the colonial system is by referring to the white people of England as the “natives”. This simple word choice almost messes with one’s head as we are so accustomed to hearing about natives in reference to the less developed continents that European empires exploited. For white people it is almost a new experience to consider the ‘natives’ as being white. Hamid comments upon this: “And yet it was not quite true to say that there were almost no natives, nativeness being a relative matter” (197). Hamid then goes on to argue that the paler skinned Americans owe their nativeness to their several generations of living in “a thin strip of land between the pacific ocean and the Atlantic ocean” (198).

Yet realistically that makes them far less native than the ones who were there before European contact, but even among those peoples there are groups that arrived long before others.

Is anyone truly native?

Throughout chapters seven through nine Hamid depicts the tensions between the migrants and the natives of London. The natives of London today would be characterized by Norse and Norman genetics, Normans being Norse people who mixed with French. However these groups also displaced the Anglo-Saxons that were there before them. But these Anglo-Saxons arrived from Denmark and Germany to displace Roman groups which in turn supplanted Celtic and Pict societies. Even that natives aren’t native.

Does native as a term even mean anything? Humans are always on the move and always have been. If you look farther than all humans are “natives” to Africa or the Middle East, but we rarely think of things that way. The distinctions that humans create serve to organize their own interests. People could be natives when they want to protect their land yet toss aside the term when they want to take others’.

What do you consider yourself a native to, and why?

A Not-So-Complex Complex Novel

In the novel, Exit West by Mohsin Hamid, after Nadia steps though the first door to get to the Greek Islands it is noted that,
“Nadia experienced a kind of extinguishing as she entered the backness and a grasping struggle as she fought to exit, and she felt cold and bruised and damp as she lay on the floor of the room at the other side, trembling and too spent at the first stand, and she thought, while she was strained to fill her lungs, that this dampness mist be her own sweat”(104). The explanation of Nadia’s experience while stepping though the door is very interesting, and seems almost intense and emotionally pact. The detail of filling her lungs and the cold/bruising feeling creates a sadness and rebirth feeling, like something was restricting her lungs fro getting any oxygen or she has just come from the depths of a dark ocean in a sea of unknown. This can also be inferred to be emotional and possibly physical characteristics and descriptions of what it’s like to migrate to a new country, being in a place you don’t understand or know, a possible feeling of helplessness and overwhelmingness. Also after Saeed comes though the door after Nadia it’s mentioned that, “she saw Saeed pivot back to the door, as though he wished maybe to reverse course and return through ut, and she stood beside him without speaking…”(105). This can also be inferred to be a representation of the fact that migrants sometimes don’t want to leave their home but have to, and when they do they may regret it.

Also in the novel, there is a short description of a man who is planning on killing himself, but before he does so he notices that his door has become an opening to another place in the world, but ignores it. However, right before he is about to do anything he wants to see what could possibly be on the other side of the door and, “Later his daughter and his best friend would receive via phones a photo of him, on a seaside… and a message that said he would not be returning…”(111). The explanation of this man using the door to escape a life that only brought him disappointment and bring happiness into his life shows the contrasts between the primary story, using these doors to escape war and seek refuge, and this man’s story, using the door to go somewhere on vacation or somewhere tropical. This contrast illustrates the privilege that people have in this story and how it is utilized for themselves and their well-being. Finally, when a very pale woman from Australia is explained to be living in a home in a wealthy neighborhood that has been gentrified, it’s explained that in her side table she has “passports, checkbooks, receipts, coins, keys, a pair of handcuffs, and a few paper-wrapped sticks of unchewed chewing gum” (8). Specifically the mention of the handcuffs in this woman’s side table illustrates the power she has to be able to control when she or someone is constrained shows and contrasts later when the man coming out of the closet when he has little control of where he is.

Why Did Hamid Need Magic Doors?

by McKale Thompson

In Exit West, author Mohsin Hamid utilizes magical doors to forgo an explanation of how the characters arrived in their new location. Hamid explained in a reading of his book that the doors help to focus the reader on the location and take away the need for a long, difficult, migration story. But, why did Hamid feel that including a long migration would dilute the real theme of his novel?

My grandparents immigrated to America around the early ’70s, but when my Grandmother discuss their early days in America she never starts her story with how she got here. Could her reason be the same as Hamid’s. The primary narrative of migration is the difficult journey from one place to another especially as a refugee seeking asylum. The media focuses on these difficult journeys to gain sympathy for migrants because otherwise non-migrant people diminish their stories. In countries, like America, that provide asylum seekers with a home, the narrative around migrant populations is that they somehow are taking advantage of the opportunities that the non-migrant residents have earned access to. This narrative is harmful because it makes it difficult for migrant people to find stability in a new country and create the foundation they need to start anew.

When my grandmother came to the United States she was discriminated against by Black people, White people, really anyone who believed they had more claim to opportunities in America because they identified as American. So, the media tries to soften the hearts of non-migrant people by covering the difficult often unbearable journeys of migrants, this, however, is not a solution. By reinforcing how difficult the lives of migrant people are, it allows non-migrants to exclude them and maintain power over them. In Jessica Benjamin’s theory of mutual recognition, she explains how binaries create power imbalances. In this case, there are Non-Migrants and Migrants, and non-migrants people reinforce their power over migrant people by pitying them. Mutual recognition between Migrant and Non-Migrant people would require people to realize that their seemingly stable environment could be destroyed within weeks, and they could be in the same situation as the people who they pity and separate themselves from.

In the case of Exit West, Hamid’s use of doors instead of telling a migration story helps the reader to combat this bias against those who have difficult journeys to safety and realize that just like Nadia and Saeed their normalcy is fragile.

Anti-Immigration Migrants

In Exit West, Mohsin Hamid does an excellent job of analyzing how migrants are perceived by the communities they move into. One of my favorite lines expressing the ideas of anti-immigrant proponents is in Chapter 6 when Nadia is watching the woman from the Vienna art gallery on board the train,

found herself surrounded by men who looked like her brother and her cousins and her father and her uncles, except that they were angry, they were furious, and they were staring at her and at her badges with undisguised hostility, and the rancour of perceived betrayal (110)

The most interesting part of Nadia’s observation is that people withthese beliefs exist and are probably more common than many would believe. Somebody’s looks don’t tell the whole story of their opinions or emotions. I’m not sure how common it is in real life but there have certainly been examples in history where people dislike others similar to them because they don’t like their past identities (or ones they don’t want to associate with anymore). These feelings come in many different forms such as pity, remorse, or the hatred and anger expressed by the men in the passage. I think this is a really interesting look at the human psych and how we view ourselves compared to other people.

On Migration: Time

by Jasmine Wood

Hamid’s level of detail on the smaller, more specific events and interactions of his characters in his novel Exit West creates a relatability to which his readers connect, despite the overarching circumstance of violence and conflict and resulting refugee crisis. While it is clear the novel’s attitude toward global change and immigrants is targeted mostly towards an audience far removed from the experiences of its characters, there is an equally important message of finding unity and respect despite cultural differences. The most readily example would be Nadia and Saeed’s lives early on before their city fell apart. They had movie theaters and cell phones and social media and hallucinogenic drugs – all things that almost every reader can relate to. And so, Hamid effectively bolsters his novel’s theme with subliminable connections that are impossible for his readers to deny.

However, another way Hamid unites his audience is through his writing’s attitude toward change. Even though the change in Nadia and Saeed’s lives is very different than, say, the old woman’s, the author still manages to connect them through the mode of time. Throughout the entire story, the author constantly uses phrases such as “back then” and “in those days.” Consequently, he reflects on his characters’ experiences on a scale of time – past, present, future. Similarly, he utilizes the same phrasing when discussing the personal changes of supporting characters, such as the old woman and her house in Palo Alto. Thus, readers make a connection between the larger global changes and smaller personal changes because both of them are framed as ‘before’ or ‘after’ or ‘now’ or ‘today’ or ‘back then’ or ‘in those days.’ So it is on this level, too, that readers are able to relate to people seemingly a world away. After all, in Hamid’s words, “We are all migrants through time.”

Time is a Jeremy Bearimy

In the show The Good Place, during Season 3 Episode 4, the concept of time in the afterlife is explained. On Earth, time is a straight line and events move chronologically. In the afterlife, time moves in a fluid chaotic line, which happens to look like the name Jeremy Bearimy.

Jeremy Bearimy. Past, present, and future are one and… | by HB | Medium
Jeremy Bearimy Diagram from The Good Place

This idea that time and reality aren’t related to each other got me thinking about the book Exist West by Mohsin Hamid, where Hamid created the doors that allow people to migrate instantaneously. According to Hamid, he wrote these doors as a plot device to allow him to not make the story all about the migration journey, but rather the feelings and experiences before migrating and once arriving to a new location.

My question is how do those doors work?

In this universe that Hamid created, time is exactly as we know it except in the instance of moving through the doors. There is no way for you, sitting there right now at home, to walk through a door located in The United States and end up in Greece only a couple minutes later. This balance between time and changing location reminded me of Jeremy Bearimy, where some times the line of time crosses back over itself, loops are created within the line, and there is even a dot above the eye (which according to the diagram signifies Tuesdays, July, Sometimes Never, and The Moment When Nothing Never Happens). The unbelievable, whimsical and chaotic reasoning of time helps explain away some plot holes within the show, and could also have been inspired similar to Hamid’s inspiration to make his migration instantaneous.

Not an Other

In the media today, stories of migrants are written in a way that emphasizes their journey, their struggle, and the hardships they come from. Essentially, these stories do their best to create an “other”, to emphasis everything that makes migrants different from the person reading the story.

In Exit West, Mohsin Hamid takes a different approach. The book focuses heavily on relationships between people, particularly Saeed and Nadia, as well as familial relationships and the connections Saeed and Nadia make with different people as they traveled away from their home. Everyone has relationships of some sort with people in their lives, and so people reading this book, who most likely live in entirely different circumstances from Saeed and Nadia, are able to relate in that way. The use of doors as methods of traveling from place to place reduces the emphasis of the physical journey of a migrant and allows the reader the focus on what is more important: who the characters are and the connections they form with others.

Exit West combats the narrative of migrants as nothing more than a distinct “other” from non-migrants. It emphasizes the things that humans have in common, regardless of what part of the globe they are from.

Media and Global Others

The media is the source we look to for information on other countries. The media plays the biggest role in news about global others. Never directly hearing from these countries we always get the half of it (the news). The media portrays countries from their perspective. We rarely hear good news of these others. We rely n the media too much. Other countries have problems and we only hear about the consequence. The media is known for shining a negative light on these global others. The media tells you the daily so you can continue your normal day. Why should be reply on the perspective of the media to hear about other countries when we could get our own. The media reports the news but never when it’s bad they offer help. Our influences comes from the media. Everyday life for people in other countries are documented and these documents are also sad or violent. We always get someone else’s perspective regardless because the media, documentaries, and movies are the roles and where are information on global others is acquired.

Is The Door to Recognition Blocked?

The Global Other is universal; humans tend to fear the unknown, which often manifests itself in fear of people who are not in their direct communities. Though many can relate to such a phenomenon, it is outdated and we have surpassed a need for such irrational fear. In more recent years, the work that has been done by progressive groups in order to aid immigrants and dispel some fear has made differences in the lives of many.

In order to completely dispel these ideas, a level of mutual recognition must be reached within the relationship with the “Other”. In Exit West, this Other is the immigrant, the refugee. In this power structure, the Nativists/Natives are in power and must break this by seeing their new neighbors as equals. However, this goat in itself would be a feat to achieve. To recognize someone is to see, but it may not be possible to understand people who have undergone such trauma. Hamid writes, “…when we migrate, we murder from our lives those we leave behind” (98). The Natives cannot even fathom a world in which they have to leave their lives behind, the door most immigrants came from. Though the dominant in the power structure can imagine and attempt to relate to such instances, there is no way to truly understand the life of another, and any claim to is equal to an insult.

Instead, the dominant in this structure should aim to appreciate their counterparts, to hear their stories with an open mind and heart, and understand that though they can recognize, they cannot fully empathize.

The American Dream

In the novel Exit West, a major idea presented is migration. While Nadia and Saeed are in England, the british people don’t want all of them coming in at first. This is very prevelant in reality with not only fugitives but just migration in America. Some people in the US are scared of people people taking their jobs which I think is ridicuclous. If a person that has most likely had a more difficult life than you can come here and take a job from someone, then I don’t think the people who were here originally are working as hard as they could.

My ideals about migration mostly stem from Dad. He legally came to the US from India when he was 13 and worked so hard for him and his whole family. Without knowing English until he came here, my Dad was able to put himself through med school and bought a house for him, his parents, and his siblings. I think many immigrants have his mentality that the hardest part was getting making it to the US. He was preparred to work as hard as possible to get ahead from the moment he got here. He is the only reason my family is currently in a wealthy neighborhood and if he could do it then I think lots of other migrants can too. It does not matter to me if immigrants got here legally or illegally because they should all be given a chance to thrive in the US.

The Suffering of Change

There are positive aspects to life and negative For some it’s overwhelmingly the ladder, others would be the former. Regardless, both deal with change at some point in their lives. If death is the only certainty in life, then change is a certainty as well. People die everyday, and along with those deaths are changing lives. The theme of migration is interpreted in many different ways, which in Exist West is about the scariness of it as well as the overwhelming positive aspect of it for the specific character of the story. Change applies to everyone’s lives, and to give one example that everyone can relate to is almost impossible. One I would assume would be moving to a new house. The suffering of change equates to the suffering of existence itself. When one finds normalcy and comfort in their surroundings in an absurd meaningless reality, they are able to live side by side with their mortality (as long as there actually is comfort). To grow up/mature is to apply the reality of death to your life in continuously changing ways that fall in line with your values. That on it’s own is possible in any environment. But values do not always associate with well-being. One can live by their values and still suffer. The greatest comfort is living a life that gives you all the core human needs, including a familiar environment and routine. To have that stripped away in the name of change (or migration in Exist West) is painful. It’s incredibly difficult to instantly apply your values to a new life because there is a period of suffering you must endure before you’re able to start to get comfortable ang grow.

America: The Land of the Free?

This country prides itself on being a free and democratic country. You can argue whether that’s true or not as it honestly depends on who you are, what your values are, and what you stand for most. However, I don’t believe that this country really is what many think of it to be in the eyes of immigrants. The way we talk about, write about, and act about immigration does not in any way show us as such a great place. There is land on land on land that is unused in this country while MILLIONS of refugees seek safe places to live without the pain and troubles of their current homes. So what are we doing??? Not helping much. This nation often views worldwide issues as ‘not our problem’ because we think other countries should be able to deal with things on their own. But my view stands as if we can help why aren’t we doing absolutely everything in our power to do that. While I am not comparing or saying these are the same level issues, the U.S. has refrained from getting involved in global issues previously. We waited years to step in during WWII which wiped out millions of people before we even attempted to help. Sometimes it’s not about what’s best for our country, but rather what is best for humanity. If given the opportunity to help those in need, no matter who they are we should try to take that chance. Because at the end of the day, we’re all migrants.

Exit West: We are all The Others

In the novel Exist West, Mohsin Hamid comments on the concept of the “others”. He demonstrates that anyone can be seen as an other depending on factors such as time and space. As Nadia and Saeed travel from place to place throughout the novel, Hamid depicts their journeys as empty and unfulfilling because they are seen as the outsiders. Who makes them feel this way? And why? 

We have all experienced this feeling (although possibly less drastic than this case) at some point in our lives. Vacationing in another country, moving to a new school or town, even walking in to school on the first day as a freshman. As I think more about this, I have realized that in some of these cases, we decide we are the “other” and therefore act as one in an effort to avoid intrusion. However in the case of Exist West, Nadia and Saeed are not at fault and are unable to control what someone else perceives. They come from a different country, a different background, a different culture, marking them as different, even when relation is not exclusive to where we were brought up. 

Hamid touches on this subject again towards the end of the novel through the maid.

“…and she felt she was a small plant in a small patch of soil held between the rocks of a dry and windy place, and she was not wanted by the world, and here she was at least known, and she was tolerated, and that was a blessing” (Camus, 224).

The maid is describing her experience towards being an “other”. Feeling unimportant and unwanted in the large world, she finds security in her occupation as she feels needed and appreciated. 

We all may feel like the “other” at some point, and that is almost unavoidable. We cannot control how we are seen, but what we can control is how we act in those situations. We can either accept our fate or turn the tables in discovering a new part of ourselves in appreciation for human connection despite the differing odds.

If We Are All Others, Is There Such Thing as an Other?

In the novel Exit West, Mohsin Hamid writes towards the end of the story with the last words, “We are all migrants through time”(209). After reading this, I reflected on this statement and tried to grasp the meaning of it. However, pondering this sentence only left me with this question…

If we are all others(migrants), is there such thing as an other?

My definition and what I have come to terms with is that “an other” is classified as — not a majority and alienated from the rest of the group. As I became more reflective, I realized that I still consider myself an other as a person of color in a predominantly white community because Asians make up about 5% of the population in Oak Park. When looking globally, I am a part of the majority race. There are more Asians in the world than any other ethnicity.

The same thought process can be put into terms with migration. Oftentimes, people look down upon people migrating from one part of the world to another especially when not done legally in fear of the people bringing more chaos into the United States. But, people move from one part of the country to another all the time. Understandably, the migrators are doing it without proper documentation, but in the bigger picture, they overall are the same.

Going back to Hamid’s sentence, I’ve realized that when expanding the lenses of an other, there is always going to be an opportunity to be “an other” but when taking a step back and approaching, a very simple, but complicated thought, we can all be categorized as “an other” in something. Even further, we can all be “an other” and take part in the same thing as Hamid said–with time.


Throughout Exit West Nadia and Saeed go through doors to escape, but when they get to the next world they realize their problems haven’t been solved as another replaces it. Additionally as they are running the reader sees the pair start too loosing their connection, as each decisions they makesthem realize they want more or something diffrent. This is especially prevalent in the last door they go throught to get to the California sea side town. They left the house they where in to find each other and be happier but they didn’t realize that they where already being pushes apart as migration and these major life decisions split their relationship in half.

Further this book comes full circle as they start as friends Nadia happy and independent, Saeed curious and happy with his family. Throughout the book as they enter the first 2 doors they learn about being a foreigner and the unrest that can come from the people who see you as freeloaders/invaders of their land. After they realize in London they are un happy they go through the door to California and there Saeed prays multiple times a day, as that is when he feels closest to his parents. As he tries to hold onto the reality he had, and the childhood he once had that has a mother and father. Likewise their realtionship soon turned to a friendship and the war or violence hadn’t come to the town. Their enviornment was someone safe and peaceful such as that of their home town before the fighting. As all the elements of this final town coencide with that of their hometown happiness, as the war had made them scared of loosing one another but in the peace they realized they wanted diffrent things. Nadia needed freedom and she went to live in the supply office at work, and Saeed moved on with another girl who brought out the version of himself that was hopeful and curious.

Throughout this story we see the want to come back to the happiness that came while they where in their hometown. Additionally that the war was the one who brought the couple together and bonded them, and that in freedom they had realized their ideas of freedom and life moving on was diffrent. Thus Tragedy creates a great divide while also bringing diffrent people and cultures together.

A Reflection of “Global Others”

The idea of certain groups of people being “others” seems like an outdated concept. In Exit West, every time Nadia and Saeed traveled to another place they entered feeling as outsiders. They would then often meet other migrants who’s feelings reflected their own. This communal awkward feeling is unnecessary and benefits no one. Even at the end of the novel, when the old woman was reflecting on her life that she had spent in one house she decided, “We are all migrants through time” (Hamid 209). A woman, who watched the block around her change throughout her life, knew that although the people who lived there were from other parts of the world, they were no different than her. As all people are technically “global others” to each other there is no need for this distinction as it only creates separation. While it is important that maintaining a distinction between groups of people is important for various reasons, the negative connotation that is associated with the word “other” creates a harmful hierarchical separation between those who are viewed as “native” versus “other”. All people, at one point or another will be considered as “others” and experience this outdated hierarchy. Although a distinction between people should be made, it should be based on feelings of pride and security, not fear or hate.

The Melting Pot

In Exit West, one of the common themes is borders and border security. This issue is still very relevant today. Borders are not real; they are a social construct that society accepts. In Hamid’s novel, there are so many migrants that the borders get more and more blurry throughout the novel. When Saeed and Nadia were in London you saw people get violent over their fear of the other as more migrants flooded in through the doors. In today’s America, the issue of border security is a very hot button issue. Some people are very concerned about illegal immigrants and border security which is seen in some of the natives in Exit West. The violence in London is something you could see happening today in the US. What we see in Exit West, though is something we need to remember, is everyone is a migrant. America is a country made up of migrants which is why when we talk about border security it almost seems funny since 90% of our country is made up of migrants or ancestors of migrants.