Response to Benjamin’s “Bonds of Love”

Jessica Benjamin believes that love is facilitated through power dynamics in relationships. She explains many ways binaries can be seen in society and how the gender binary is the one that sets up the rest. Due to the fact that sex is the first indicator of who someone is when they are born, it sets people up to be seen as dominant or submissive in the gender binary and then in other ones as they grow up. She explains that one’s entire sense of identity is based on these binaries. These power relationships, whether binary or not, define people’s lives and make power central in everyone’s lives, ultimately contributing to people feeling like they lack fulfillment in their lives. She contradicts Freud’s ideas about one’s sense of identity revolving around their father’s role, also symbolizing society, law, and authority, in separating them from their mother. She argues that identity is found by making efforts to relate to others, rather than by separation but that society makes that difficult because of the way people are socialized. She explains that if people can accomplish this, mutual recognition is possible.

Benjamin’s theory can be seen across most aspects of life, from personal relationships to a global scale. In my life, it operates as all of my relationships feed into some sort of binary whether it’s the MALE/female one or something more specific like MOTHER/daughter. These all impact my ability to have autonomy and how I interact with others. According to Benjamin, if there wasn’t a difference of power in these relationships, I would feel like my life is more fulfilling. I agree mostly with this theory, lots of these binaries, especially more obvious ones such as gender and race can lead to a lot of oppression which is interwoven into all aspects of one’s life and can have many negative effects on someone’s life and their perception of it. Another example of this is binaries based on class, this can alter our perceptions of others and how we perceive our ability to impact their lives. Even if it is done out of sympathy, it can easily perpetuate the idea of dominance as we feel like their lives can be better because of our actions or charity.

To be Lessened is not to be Lesser

Why should he not do or say weird things or look strange or disgusting…Why should those he loved not lift and bend and feed and wipe him, when he would gladly do the same for them? He’d been afraid to be lessened by the lifting and bending and feeding and wiping…and yet, at the same time saw that there could still be many…drops of goodness…ahead…and those drops…were not—had never been–his to withhold

Tenth of December, 249

George Saunders’s short story “Tenth of December” tells a tale of an elderly man suffering from a terminal illness and his fight for survival alongside a young, peculiar boy. Don Eber–the elderly man–begins the story on a mission to end his life prematurely. His illness has rendered him partially disabled and causes him not to be himself at times. Furthermore, Don’s father had the same disease and left Don with a considerable amount of childhood trauma. Finding it extremely difficult to cope with his condition–especially since he sees how it plays out through his father, he sought to wander out alone in the cold and escape the pain of feeling like a lesser human being.

However, Don finds himself saving a young boy’s life despite significantly unfavorable odds. This interaction restores Don’s will to live, and he ends up getting saved by the boy’s mother. As he reflects on the meaning of his life and what is important to him, he has a pivotal realization. Just because he has lost the ability to properly care for himself due to his illness does not make him any worse or less of a person. He thinks of his wife and kids caring for him, and how they know he would do the same for any one of them. He realizes that it was more the fear of being inept that was weighing down him rather than actually being less capable. If both Don and his family can accept the reality of the situation while also realizing Don’s human dignity and value remains untainted by the disease, Don should be able to live his last days with a degree of comfort and contentment. The story fortunately ends with no one being seriously harmed and Don and his family on a emotionally healthy trajectory.

Response to Jessica Benjamin’s “Bonds of Love”

Jessica Benjamin’s Psychoanalytic piece argues that society creates hierarchies and that the problems that come with those hierarchies exist because of a lack of mutual recognition. She believes these binaries continue when the dominant individual in the binary uses their power and the submissive individual accepts the dominance and doesn’t stand up. Benjamin values equality and asserts that one’s identity shouldn’t rely on the absence of being something, for example, a man is a man because he is not a woman.

Benjamin’s perspective gave me a new awareness of the binaries in my life. An example of one of them would be the binary of a man and a woman. I took away from Benjamin’s writing that it is essential to not submit to power dynamics and view others as the same, full human being as yourself. Her writing is significant because it can help change people’s views on their everyday behavior no matter what side of a binary someone is on. Silencing the idea of power and who holds it can lead to a much more equal and balanced life for everyone.

Abused or Acknowledged: A Benjamin Application

I love movies, and recently, someone very close to me recommended that I watch the movie Whiplash. The film had been lingering on my mind for quite some time as it is critically acclaimed and has been mentioned by many friends and family as of late.

Upon watching, I couldn’t help but draw the similarities of the relationships of characters in the movie to the theories of Jessica Benjamin regarding power dynamics that involve a person subjecting another.

The movie follows Andrew Neiman, played by Miles Teller, a student of the most prestigious music university in the country, who’s obsessed with reaching a level of greatness through becoming a outstanding figure in the Shaffer Conservatory Jazz Band. Throughout the movie, Neiman endures forms of psychological and physical abuse from maestro Terence Fletcher, played by J.K Simmons in his goals to find and create the next great Jazz Musician.

Fletcher is seen practically torturing Andrew by throwing objects at him whilst playing, slapping him for missing tempo, and verbally insulting him time and time again for mistakes whilst playing. But this harm only reinforces Andrews obedience to Fletcher and motivation towards achieving his goal of greatness. Conversely, it allows Fletcher more opportunity to enforce his cruelty in hopes of achieving the goal of his own.

This relationship between the two creates an compelling power dynamic or teacher/student or conducter/musician that’s followed throughout the movie, and ends up resulting in an unforeseen conclusion to the twos relationship that begs the question on whether or not either Fletcher or Neiman achieved a level of Mutual Recognition.

In the end, Andrew plays a final time for Fletcher, disobeying his conducting and reversing the roles of the power dynamic in order to play the set on his own terms. At first, Fletcher doesn’t take kindly to this, mouthing silent threats to him in order not to provoke the audience, however, he eventually submits, and relishes in Andrews talent shining through. The conclusion seems lighthearted and displays the power dynamic fizzling into mutual recognition through Fletcher accepting Andrews rebelling, but it poses the question of the power dynamic being reinforced through Fletcher having his goal achieved of finding solace in Andrew being the next “great” so to speak and Andrew feeling as if he has achieved that status through the approval of his disobedience through Fletchers supposed smile in the final frame of the movie.

The Uncanny story from Escape From Spiderhead

Her face was masked with rage. She drove her head into the wall. Like a wrathful prodigy, Heather, beloved of someone, managed, in her great sadness-fueled rage, to disassemble the chair while continuing to drive her head into the wall. (P 70)

After reading the story Escape From Spider Head from the book “The Tenth of December,” a series of short stories written by George Saunders, I come to find out how Saunders writes about dark and serious topics. This story in particular touches on the topic of the internal struggle of morality. The protaginist Jeff struggles with the moral dilemma, he has to decide if he should kill himself to save Rachel and Heather or save himself by escaping. Jeff finds himself in an oppresive, controlled setting, almost like a jail. There, he experienced much unethical experiments that played tricks with his mind. This eternal struggle eternalizes as Jeff tries to redeem himself. Jeff is in control by a man named Abnesti, who is the antagonist of the story, he belives he is working for a greater purpose. He is the one that is in control of the setting in which Jeff is in. He knows he has to obey Abnesti, if he didn’t he would be injected with docilryde (a injection that makes you obey every word someones says). Jeff meets two women, Rachel and Heather whom Abesiti made Jeff have sex with. When Jeff was asked to make a decision whether which person should be injected with Darkenfloxx (a substance that makes you severly depressed that you end up trying to kill yourself), he refuses to inject one of them with Darkenfloxx. Jeff starts to realize that Heather and Rachel are human, just like him. Abnesti injects Rachel with Darkenfloxx and Jeff is forced to watch and describe Rachels actions after being injected. Rachel is intentionally hurting herself. Jeff comes to a conclusion that he needs to save Rachel and Heather from Abnesiti. Jeff starts to show mutual regconition by viewing Rachel and Heather as human beings who have feelings. At the end of the story, Jeff results to killing himself by injecting all the drugs that Abnesti created.

Mutual Recognition and Healthcare

Over the summer, I worked in a skilled memory care facility as a caregiver. In my life so far, that is where I have felt most prominently the power struggles mentioned by Benjamin in Bonds of Love. However, the experience was confusing to me in that I, as a caretaker, had power over the residents as my job was to take care of them and was tasked with controlling many parts of their lives, while they also had power over me as I was their caregiver. I’m still not quite sure if I was the subject or object in this situation, but I am certain that achieving mutual recognition in any place related to medicine would be extremely difficult.

Having a clear hierarchy of power is something that can be found in almost every medical workplace, and often helps facilitate effective and efficient patient care, which should be the ultimate goal of any medical institution. However, I feel this system also has many drawbacks in that the patients are stripped of their personhood and viewed solely as patients, which is a dehumanizing experience to anyone.

Personally, I believe that mutual recognition in a hospital setting would require recognition of patients as humans and not just a chart or list of ailments. In turn, patients would need to recognize their doctors’ humanity, which arguably is more difficult than the former, as hospitals are scary places to begin with, and acknowledging doctors not as doctors but as humans (who can sometimes make mistakes) would only add to that fear. Is a binary balance of power a necessary evil in the field of medicine, or would mutual recognition help alleviate the fear so often associated with hospitals?

Mutual Recognition In “The Semplica Girl Diaries”

In George Saunders’ short story, “The Semplica Girl Diaries,” Jessica Benjamin’s theory of mutual recognition is explored. In this story, Saunders fashions a world similar to the one we live in today. The one major difference, however, is that it has become popular for wealthy people to have “Semplica Girl Arrangements,” where girls from underprivileged countries are strung up by their heads as a form of lawn décor.

Saunders’ story follows a family who recently came into wealth after winning the lottery, and has bought four Semplica Girls. One of the children, Eva, is the only one who sees anything remotely wrong with society’s usage of Semplica Girls. In a piece of artwork, Eva drew her family’s four Semplica Girls with speech bubbles saying, “OUCH! THIS HURTS,” “THANKS LODES,” and “WHAT IF I AM YOUR DAUHTER.” She then, in an act of bravery, releases the Semplica Girls in the middle of the night.

Eva is the only one who has recognized the Semplica Girls as something other than objects. She sees them as human beings, not as simply lawn decorations. Even though she is the one in a position of power, she chose to equalize the power dynamic and allow the Semplica Girls freedom. We are not told, however, if the Semplica Girls also recognized Eva, to complete the circle of recognition. 

Though Eva appears slightly naive in that she released the girls into the night with no plan of where they would go, or how they would survive, and cost her family $8,600, her intentions were good. She witnessed something that didn’t sit right with her, and she chose to fix that thing. Her bravery is admirable.

Social Movements and Mutual Recognition

One of the most obvious examples of Benjamin’s theory in action is social movements, particularly Black Lives Matter. After learning about her theory, I find this movement to be a near-perfect example of attempting to achieve mutual recognition. The Black Lives Matter movement is a counter to the systemic inequalities that have given way to white dominance and severe discrimination against black and brown people. The movement (as it says) is dedicated to achieving a universal recognition of Black lives and their importance, in the same way, that white lives have long been recognized as important and worthy of recognition and protection. Now knowing about Benjamin’s theory, I find it to be the core principle of most social movements that fight to achieve rights and acknowledgment of different groups of people. Movements are centered around organization, they’re people gathering in the streets to protest, boycotting institutions, and doing what they can to draw attention to themselves, to be recognized the same as those in power. Because the dominant majority (white men) has long been recognized, the power of achieving mutual recognition lies in the movements of those who have yet to be fully recognized in their worth, their rights, and their power. Social movements that attempt to achieve equal rights and equity are key to advancing democracies and building a better society. Now that I understand Benjamin’s theory on mutual recognition, I truly believe that it is the key to social movements and thus a better world. I think that perceiving these movements as attempting to achieve mutual recognition, highlights their importance in a broader sense of the world. Many people turn away from movements because of their political associations (for example Black Lives Matter is widely recognized as a democrat movement). Further, I believe that by explaining to others that the core principle of social movements is simply mutual recognition, we can give everyone a reason to see their importance, ultimately making them moral causes rather than political ones. 

Jessica Benjamin’s Theory Surrounding Power

Jessica Benjamin’s book, Bonds of Love, introduces her theoretical argument around subjectivity and power combining the ideas of domination and social, gender, and family roles to bring light to the problem of the power structure. She uses the idea of binary thinking as leverage for domination and hierarchical thought processes. Benjamin ties individualism and the idea that you are you because you are not them into what creates a false sense of self hood and the roles or expectations given to certain people.

The main argument, evident throughout the examples she presents, is that there needs to be a mutual recognition of power and a connectedness to find a common ground on theory of identity. She also highlights the importance that the theory doesn’t deny anyone else’s sense of self as a means to achieve personal individuality and self.

Total domination is a result of unhealthy subjectivity, not being able to be humble enough to fathom the idea of being equally powerful. Mutual respect and recognition between others, being able to recognize an equally respectable sense of self, is what generates a healthy identification of individuality and balance of subjectivity.

How Kyle’s Parents in Victory Lap Affected His Every Move

No. No, no, no. They'd be gone soon. There he could go inside. Call 911. Although then everyone would know he'd done nothing. All his future life would be bad. Forever he'd be the guy who'd done nothing (21).

While I think this thought would go through some people’s minds eventually, I think the timing of Kyle’s thought (listed above) says a lot about his family dynamic and mental state. His entire life, Kyle has had to live up to the expectations of his parents. With such a strict regime and their ability to take away all his privileges in a second, Kyle has frequently had to walk on egg shells. With this in mind, I think his brain is wired to always think about consequences. In particular, social consequences, like the disappointment of his parents or in this case, society.

The idea of disappointing others means a great deal to Kyle, as impressing his parents has been a difficult task leading up to this. While he was jeopardizing his safety in order to save Alison, the alternative seemed much worse to him. By not interfering, Kyle risked being a man known for his lack of action in a serious situation.

More than anything, I believe Kyle wants to be recognized. Recognized by his parents for his achievements in high school track and recognized by society as the sophomore boy who saved Alison Pope. With such little praise at home, Kyle is finding acceptance elsewhere.

The Old Blog is Dead! Long Live the Old Blog!

For many years, we used the Blogger platform for the AP Lit blog. Since it is owned by Google, it integrates pretty seamlessly with your Google accounts — which made it easy to use, in some respects — but it is a very limited and bug-ridden platform. So this year, we have decided to construct a new class blog from scratch using the most more powerful and stable WordPress platform.

If you are interested, though, in seeing what past AP Lit students have been thinking and writing about, feel free to wander over to the old blog.

old blog

The Stranger and No Longer Human

As I’ve been reading The Stranger by Albert Camus this last week or so, I have constantly been reflecting and comparing it to a previous book I´d read this summer, No Longer Human by Osamu Dazai.

Through further inspectional and revisiting of No Longer Human, I’ve found that the two books, especially the characters, are both opposites and somewhat parallel. 

The main character in No Longer Human, Oba Yozo, is a more sensitive and emotional person but feels no joy, only an overwhelming feeling of estrangement. While Meursault the narrator of The Stranger is very nonchalant and emotionally dull. However, both of these characters bring about a feeling of unease and emptiness to the reader. An aspect of these two characters that binds them together is their indifference to other people and life itself.

To grasp this better, the following are both books opening lines:

“Maman died today. Or yesterday maybe, I don’t know.”

The Stranger

¨Mine has been a life of much shame. I can’t even guess myself what it must be to live the life of a human being. ¨

No Longer Human

Both these lines pull the reader in through uncomfortability, from the get-go they leave the impression of being an outsider and mentally peculiar, not being normal. 

The two books have the same destination, or rather these two characters have the same outlook on life but have different ways of getting there. I think this line from No Longer Human Shows their similar mental state well, “Now I have neither happiness nor unhappiness. Everything passes. That is the one and only thing that I have thought resembled a truth in the society of human beings where I have dwelled up to now as in a burning hell. Everything passes.”(169) Oba is a reflective person, Meursault just accepts his belief, “I opened myself to the gentle indifference of the world.”(122) Meursault feels too little and finds life meaningless and on the flip side, Oba Yozo feels too much, too inferior, that he finds life meaningless.  

 The approach to this mindset though is a stark difference, Meursault does not show or feel emotions. Oba cannot feel happiness, he is stuck in a deep depression to the point that nothing matters. By this same principle, Meursault sees nothing wrong with his nature, Oba understands that he is not normal, thinking of himself as other or not human, he’s a “clown”, acting in a way acceptable by society (laughing and joking around).

Both the Stranger and No Longer Human illustrate that life isn’t full but futile, by following abnormal figures through a span of time and observing the experience and insight they gain as rejects from society.

Family = Love? Maybe Not

Many characters in King Lear do not seek true love but only selfish and false representation of love. True love is unconditional and honest while selfish love is motivated by money, lust, or merely approval from others.

At the start of the play, Lear stages a love test. Lear tests each of his daughters on how much they love him. Opportunistic Goneril and Regan flatter him and he accepts this because he sees verbal love as true love. Lear rewards Goneril and Regan’s love for him by giving them land and wealth. This only enforces the idea that material things are not apart of true love.

The youngest sister, Cordelia, is not as eager to confess her love to her father.

What shall Cordelia speak? Love and be silent.

(Act I, Scene 1)

Cordelia makes it clear that she loves him, but she can’t put it into words. She knows that words can’t truly express true feelings. True love does not require mere words as a dedication to devotion. Unfortunately Lear does not understand that so he disowns her when she refuses to flatter him.

Soon after, Cordelia is to get passed off. She is expected to marry Burgundy or France. But now that she is disowned with no dowry or title, her status has decreased. Soon, Cordelia gets rejected by Burgundy because he only seeks authority and power from a possible relationship with her. But France steps forward and takes her hand because he understands the true meaning of love, which enforces Cordelia’s representation of true love.


Then arrives the second plot of the play – Gloucester and his two sons, Edgar and Edmund.

Gloucester makes fun of Edmund’s illegitimacy and refers to him as “whoreson” (Act I. Scene 1). Edmund is desperate to feel loved so he selfishly plots his father’s and Edgar’s demise to feel above from his title as a bastard child.

Edmund lies to Gloucester and puts Edgar against Gloucester. Gloucester is quick to accept these claims without any proof. Gloucester rejects Edgar the same way Lear disowns Cordelia. Gloucester then tries to execute Edgar while Lear banishes Cordelia.

While Lear and Gloucester reject their respective child that represents true love, they fall for the characters that represent anti-love. Goneril, Regan, and Edmund represent false love. They are only motivated by money, lust, or self-serving love.


Edgar and Cordelia are the epitome of true love. They are forced to suffer banishment, rejection, and Edgar has to disguise himself to remain loyal. Cordelia rushes to help Lear when she learns of his new state and Edgar kills Oswald to defend Gloucester. They consistently prove their love for their respective fathers despite when their respective fathers’s have casted them out.

At least in the beginning, Lear and Gloucester are similar to Goneril, Edgar, and Regan because they all represent false love. They all have flawed perceptions of love. Lear and Gloucester see true love as approval from others while the three antagonist are motivated by money, lust, and their self-serving nature.

But Lear and Gloucester are forced to confront their mistakes. They spend most of the play suffering and facing the consequences of their actions. Soon they learn that verbal love does not equate to true love. But that true love is more than skin deep.

Otherness

How do we define the “other”? Is it by the color of their skin, the language they speak, the place that they call home? Or is it by the stories that they share, the experiences they’ve had, who they are?

In Exit West, Mohsin Hamid takes the stance that we are all the “other”. On page 197, he states that “nativeness [is] a relative matter”, yet on page 209 he confirms that “we are all migrants through time.” It is hard to see the way in which one can hold both of these beliefs, but Hamid does so.

Because the “other”, like nativeness, is relative. There is no “us”. Every person is alone in one way or another. We are all migrants, so none of us are. We can relate to one another because of the shared groups that we cannot relate to.

There is no mutual recognition when it comes to the “other”. This is because we only become ourselves when the “other” becomes part of “us”. We find ourselves through the people we are grouped with, not the people we are pitted against. And in a world where everybody is a migrant, we can, at any point, be grouped with those people that were once the “other” to “us”.

Good Country People

Hulga is the only character in the book who I believe actually understood what mutual recognition was. It’s not to relate over assumptions that you understand anything well enough to gossip. It’s not saying “That’s Life” because no one knows what life is. To call life anything is entirely subjective and any guess as to why we are here is wrong. We have the most disgusting history that stemmed from nothing but human greed for more, but people are convinced that the modern world must mean we’ve changed, and the next generation will be different. No, when it comes to motivation, self interest is the only sustainable force that drives human beings. Empathy comes and goes but our desire for self satisfaction, validation, and any other motive of serotonin always prevail. That’s not to say there aren’t good people, or at least people who act on values that are morally acceptable. There are countless examples of it on a day to day basis. There is a lot of people fighting for absolutely good reasons, and there’s people who do a lot to attempt to make humanity better. But that was true all throughout history. There have always been good people but the evil people are always the ones who gain control because their scummy practices to achieve power are more effective than being a decent human being. I believe Hulga understands this.

Evening Thoughts on Complex Individuality and Mutual Recognition

As I read over the criteria list for the blog post, nothing quite struck me right away. My summer reading book Exit, Pursued By a Bear was mildly entertaining at best, and no other book I’ve read recently contained any depth. However, while taking a break from my Criminal Minds obsession this summer, I tried watching the new hit HBO series Euphoria. Although the show is filled with drugs, sex, and lots of sparkles, there is something else that makes it so captivating: the complex individuality of each character.

Like no other show I’ve seen before, Euphoria accurately depicts the struggles of high school, addiction, abusive parents, and every thing in between. What truly amazed me when watching it was the way it that showed life for what it is: really f-ing hard, but something beautiful at the same time. Without romanticizing the struggles of each character, Euphoria demonstrates that every single person you´ll encounter is going through something, whether you know it or not. The show does not focus on one specific character, but rather how each of their complex stories are intertwined in some way.

Nabokov´s concept of mutual recognition goes hand-in-hand with the idea of individuality because it recognizes that each person is more than just a binary, that we are all complex, unique humans. And such is the beauty of real life: we are all complex individuals that are living our own story in tandem with one another.

A Conversation About “White Gaze” and Careers

In the short story “A Conversation About Bread” by Nafissa Thompson-Spires, the concept of people’s perceptions of stories is brought up and analyzed. The theory of the “white gaze” that applies to story telling or living with a roommate.

People bring their own subconscious opinions to everything in life. For instance, when Brian’s mom’s roommates was taking pictures of Brian’s mom out of the shower, “the girl was sending the pictures home to her family, like, look at this elephant I saw at the watering hole or this native with a disk in her lip” (179), she was bringing herself into the narrative and making comparisons (racist comparisons).

Similar to the white woman in the library overhearing their conversation about their short story who was “now very interested in their conversation” (181) and was “impressed by [Brian’s] use of the word ‘monolith'” (176) because she had some preconceived notion about how a black person should talk.

More people in the field of anthropology need to come from different backgrounds and be able to “ignore the white gaze until it no longer came to mind. Then, ‘and only then’… ‘black people can be free from all the double consciousness bull” (181). Diversifying different career fields will allow for different perspectives and new ideas that wouldn’t be brought up otherwise.

A happy society?

The idea of mutual recognition is pretty much a dream if we’re being honest. Can anyone actually imagine a world where we avoid conflict and there’s no fighting for power? Because I definitely can’t. Jessica Benjamin’s ideas are incredible. They are truly valuable ideas that would help our society immensely. Everyone would be happier and there would be a focus on truly learning about people and taking them for who they are and what they stand for. But could that ever happen? Our society is centered around power and the dynamics of war, fighting, and conflict when we should be focusing on things like mutual recognition. Thinking about this reminded me of a practice AP test last year about the business of war and violence. The backbone of the United States is conflict, and while it would be nice to move away from conflict, I don’t see it happening. The ideas Jessica Benjamin conveys are awesome, but for change to occur they have to taken in small doses. Moving towards a less conflict focused society will take a long time, but could ultimately contribute to making the world a happier place.

Mutual Recognition vs. “Dry”

The novel “Dry” by Neil Shusterman takes the reader on a journey following a group of mismatched teenagers through a lengthy and deadly drought in future Southern California. The story begins following two siblings, Alyssa and Garrett, who search for their parents with the help of their geeky neighbor Kelton, after they do not return from scavenging for water. The unlikely friends end up traveling with a dangerous seeming girl, Jacqui, who agrees to take them in her car to Keltons bugout, where they promised water. Immediately after meeting Jacqui, Kelton developed a deep mistrust of her which was rooted in her age superiority and his own insecurities. This mistrust was mirrored by Jacqui as she worked to maintain the upperhand on Kelton and the rest of the crew. Benjamin expressed that mutual recognition can only be achieved after both parties acknowledge that the other has a similar center of experience. This lack of mutual recognition was highlighted after Jacqui forcibly took over the drivers seat from Kelton claiming she was the better driver. Towards the end of the story, as Jacqui is about to make a reckless and impulsive decision, the reader witnesses Keltons internal dialogue where he expresses that he sees Jacqui as one of the group and acknowledges that she is just as scared and lost as the rest. This crucial turning point for Kelton was reciprocated at the end of the novel where we meet Jacqui again and she is kind and respectful towards Kelton and the others, an action the reader had not seen before. The newfound mutual recognition between Kelton and Jacqui was great character development throughout the story and also solved an underlying unresolved conflict.

On Authorial Intent and Mutual Recognition

Recently, I have been re-watching the Harry Potter series. I re-read the books last year, for the first time since I was in early middle school. But I have found myself hesitant to endorse this series that I love because of the comments of J.K. Rowling, the author of the books.

Over the years, she has made many claims about the books. Following the publication of the last book in the series, she announced that Albus Dumbledore had been gay all along. At one point, she claimed that she had envisioned Hermione Granger, one of the main characters, as a black girl. But these announcements came post facto, and were therefore far too late.

By introducing these ideas after the characters had been solidified in the public’s mind, J.K. Rowling robbed these characters of mutual recognition. These supposedly central parts of characters identities had been hidden for years. How could we mutually recognize characters for traits that had never been expressed? By withholding the information that she claimed to have known all along, Rowling’s pathetic attempts at inclusivity fall short.

No young black girl is reading Harry Potter and relating to Hermione because of her struggles with racism or colorism. No closeted teens are watching these movies and seeing one of the main heroes of the story be LGBTQ+ like them. If the people she now tries to include can’t recognize their struggles in these stories, is she really including them at all?