Portals of transformation: Reflection of AP Lit

Reflecting on my senior year, I find myself in between the feelings of excitement and nervousness as I prepare to step into the future. It is a sappy ending for high school. I have had so much fun here at OPRF and have made a ton of memories and friends that I will remember for a long time. Specifically in my AP Lit class, I have had a lot of reading time to reflect on many powerful stories throughout the year. This year has been a long journey of self-discovery and has been shaped by several powerful narratives like “Exit West” by Mohsin Hamid, and “King Lear” by Shakespeare. These two stories have stayed with me the most and have taught me several lessons that I will be able to learn from and encounter and face in my future as an adult. 

The first story “Exit West” introduced me to the concept of doors as portals to new possibilities. Just like in the book where Nadia and Saeed stepped through these mystical doors to escape the conflict and find a safe place to settle down. I too have also learned the value of embracing change and seeking opportunities to grow. While I am not necessarily in conflict where I am right now but I am about to step through one of those mystical doors, leading to a new place and new chapter in my life. Those doors will lead me to become a new person where I will be forced to grow and forced to make a lot of new life decisions, and It will not be easy. I am scared and confused about these doors but I do know that I have to step through them and live and learn wherever I end up on the other side of these doors. 

In the second story/play  “King Lear,” the theme of power’s impermanent nature has stayed with me. King Lear’s tragic journey from authority to vulnerability highlighted the value of power and the importance of humbleness. This story has taught me the value of humility in leadership and how one does not hold onto power their whole life. I say power when I also mean status. I found that throughout high school I have not had a hard time being social and making a lot of friends. A lot of these people I have known for almost 7 years. Now as I am leaving my home town for someplace new, I will have to remake all new friends again and wont have super strong relationships at first. One thing I loved about high school was that each year I had people who I had known for years back and I didn’t have to stress about meeting all new people. I felt as that throughout high school, knowing a lot of people made me feel like I had power and status. Now I have a new chapter in my life where I almost lose my power and status and need to regain it. I can also relate this to my leadership class. For leadership, we leaders all have our own classes of new freshmen to our school and we guide them throughout the year and help them with whatever they need. We spend our time with them and bond with as many as possible. It gives us leaders power and status because we are the ones teaching our freshmen the ways of the school. Now going into college, I am the new freshman, worried about what I should and should not do, who I should hang out with, and so much more. Just like in the play King Lear, Lear loses his power and status as he grows older and so am I as I am becoming a mature young adult. 

Overall, these texts have transformed me by broadening my worldview, and deepening how I perceive life. As I look ahead to the next chapter of my life, I want to carry these lessons and insights with me. I am worried but willing to navigate the challenges and opportunities that I will face with a new sense of self-awareness and purpose.

The Laughter Beneath the Mask: The Defense of Dramatic Comedy

In Aristotle’s formative work, “Poetics,” he categorizes comedy as a form of drama that aims to provoke laughter. However, he also suggests that comedy lacks the depth and significance of tragedy, which he views as the highest form of drama. But is this analysis fair? Can comedic works not also offer profound insights into the human condition and serve as meaningful art forms?

One low-form comedic work that challenges Aristotle’s narrow view is the play “The Importance of Being Earnest” by Oscar Wilde. This Victorian-era comedy of manners employs cleverness and satire to critique the societal conventions and hypocrisies of the time. Through the absurdities of its characters’ behavior and the witty dialogue, Wilde not only entertains but also provides a sharp commentary on the superficiality and artificiality of upper-class society.

“The Importance of Being Earnest” serves as a mirror to society, reflecting its flaws and aspirations. By exaggerating certain traits and situations, Wilde illuminates the underlying truths about human nature and society. The play forces the audience to confront uncomfortable truths about themselves and the world around them, making it a deeply meaningful work despite its comedic nature.

In conclusion, dramatic comedy, as Aristotle defines it, is indeed a meaningful art form that can offer profound insights into the human condition. Works like “The Importance of Being Earnest” demonstrate that comedy has the power to entertain, provoke thought, and light up truths about ourselves and the world we live in. It is time we recognize the depth and significance of comedic works and appreciate them as valuable contributions to the world of art.

Fallon’s Funny Foolishness.

In the world of late-night comedy, Jimmy Fallon stands as a well-known figure, known for his wit, charm, and ability to blend humor with social commentary seamlessly. As the host of “The Tonight Show starring Jimmy Fallon”, Fallon has carved out a niche for himself as a provider of contemporary satire, using comedy to shed light on societal issues and cultural trends.

At the heart of Fallon’s comedic style lies a Keen awareness with a pulse of popular culture. throughout his monologues, skits, and interviews, he deftly steers the landscape of current events and trends, offering his unique perspective with a dose of humor. From poking fun at celebrity mishaps to mocking political absurdities, Fallon’s work reflects the spirit of modern satire using humor as a way for critique and commentary.

 one of Fallon’s signature techniques is irony, often employed to highlight the contradictions and obscurities of contemporary society. In his recurring segment, “thank you notes”, Fallon delivers bantering expressions of gratitude for everyday occurrences, exposing the irony inherent and boring situations. Similarly, his parody sketches, such as “Ew!” and “Classroom and instruments”, playfully destabilize cultural norms and stereotypes, inviting audiences to reflect on the underlying truths behind the humor. 

Overall, Jimmy Fallon’s work exemplifies the power of humor in addressing pressing social issues and affecting meaningful change. By leveraging techniques of satire with insight and empathy, he invites audiences to laugh, reflect, and ultimately, engage with the world around them more thoughtfully and compassionately. As a supplier of contemporary satire, Fallon’s comedic Legacy extends far beyond the realm of late-night entertainment, leaving an lasting mark on our cultural consciousness.

The Edmund Effect: Unraveling the Threads of Connection Across Movies and Plays.

Movies and plays have a remarkable way of capturing our hearts and leaving a lasting impact on our lives. As a movie enthusiast, I often find myself drawn to characters who possess a certain depth and complexity. One such character who has captivated me is Edmund from King Lear. Edmund can relate to several other characters from some of my favorite movies and shows, and very common traits unite these characters. 

One example is Edmund relating to  Loki who is from the Marvel Cinematic Universe. Edmund, like Loki from all the Marvel series, embodies a complex blend of mischief, vulnerability, and inner conflict. Both characters are driven by their desire for power and recognition, often leading them down dark paths. Yet, beneath their facades, lies a desire for redemption and a sense of belonging. 

Another example is Edmund and Severus Snape from the Harry Potter series. In the realm of Harry Potter, Edmund shares striking similarities with the enigmatic Severus Snape. Both characters are initially portrayed as antagonists, harboring hidden motives and depths of loyalty. As the stories unfold, we witness their transformation from misunderstood figures to heroes, driven by their unwavering dedication to a greater cause. 

Edmund also shares a profound connection with Tyler Durden from Fight Club, as both characters represent the darker aspects of human nature. They both embody Rebellion against societal norms and seek Liberation through chaos. Their journeys force us to question our own identities and the boundaries that we are willing to cross. 

The character Edmund also can relate to the Gollum from the Lord of the Rings. Edmund’s struggle with temptation and the allure of darkness mirrors the tortured soul of Gollum from The Lord of the Rings. Both characters struggle with their inner demons, battling between their better judgment and the seductive call of their desires. Their internal conflicts serve as powerful reminders of the thin line between good and evil. 

Edmond’s character transcends the boundaries of a single play and movie, resonating with other complex and multifaceted characters across different films. Whether it is Loki, Severus Snape, Gollum, or Tyler Durden, these characters mirror Edmund’s internal struggles, moral conflicts, and Quest for redemption. As viewers, we are drawn to these characters because they reflect the complexities and contradictions within ourselves, reminding us that even the most flawed individuals can find redemption within their stories. 

“Cipher of wealth: Stories from the new york streets”

In the vast realm of hip-hop, certain songs transcend mere entertainment and become cultural touchstones. One such song is “C.R.E.A.M” by the iconic rap group Wu-Tang Clan. Released in 1993 as part of their debut album “Enter the Wu-Tang (36 Chambers),” this track stands as a powerful testimony to the realities faced by many in urban communities.

Cash rules everything around me

C.R.E.A.M get the money

Dollar, Dollar bill, y’all

“C.R.E.A.M” stands for “Cash Rules Everything Around Me,” and the song revolves around the struggles and aspirations of young men growing up in impoverished neighborhoods. This iconic chorus line utilizes repetition and rhyme to create a powerful, memorable hook. The phrase “Cash rules everything around me” encapsulates the central theme of the song, emphasizing the all-encompassing impact of money in society. The repetition of “C.R.E.A.M” and the inclusion of “dollar dollar bill, y’all” not only enhance the rhythmic flow but also serve as a chant-like refrain, emphasizing the importance of financial success and survival.

I grew up on the crime

side, the New York Times side

Staying alive was no jive

This line paints a vivid picture of the artist’s upbringing, contrasting the harsh reality of the “crime side” with the more polished image represented by the “New York Times side.” The juxtaposition highlights the duality of the environment, adding depth to the narrative and underscoring the socio-economic challenges faced. It adds a sense of authenticity to the narrative, grouding the song in a real and tangable context.

No question, I would speed

for cracks and weed

The combination made my eyes bleed

This lyric provides a glimpse into the artist’s past choices and the risks taken for survival. The straightforward language and unapologetic tone contribute to the raw and authentic storytelling, capturing the essence of the struggles faced in the pursuit of a better life. This lyric is also a candid admission of the artist’s past involvement in risky and illegal activities, providing a glimpse into the challenges faced in their pursuit of survival. The use of “No question” conveys a sense of certainty and determination, while the reference to “cracks and weed” adds specific details that contribute to the authenticity of the narrative.

These lyrics contribute to the song’s poetic quality by blending personal experiences with social commentary, creating a narrative that is both introspective and relatable. The use of vivid imagery and straightforward language enhances the emotional impact, making the song a powerful piece of poetic expression.

Parallel Existence: Trust and The Stranger in Perfect Harmony

In the world of art, unexpected connections often emerge, linking works that belong to different idioms and time periods. such as the case with Hal Hartley’s film “Trust” and Albert Camus’s existential masterpiece, “The Stranger”.  Although one is a movie and the other is a literary work, the similarity in these two characters and themes presents a fascinating parallel existence. Both explore the intriguing connections between each other, shedding light on the shared essence that binds the two. 

 A glimpse into alienation and absurdity both “Trust” and “The Stranger” feature protagonists who embody a sense of alienation and absurdity in their lives. In “Trust”, Maria, played by a young woman who is caught in the mindset of a dysfunctional family in societal pressures, as well as Meursault, the protagonist of the stranger, finds themselves detached from the conventions of society, navigating through a world that seems devoid of meaning. These characters’ detachment and indifference toward societal expectations create a sense of isolation that shapes their journeys. 

 For example, Maria’s nonchalant attitude toward societal norms mirrors Meursaults indifference toward societal conventions. Both characters face consequences for their unconventional behavior, highlighting the clash between individual freedom and societal expectations. Both “The Stranger” and “Trust” also have similar themes: searching for authenticity and meaning. “Trust” explores the themes of self-discovery and personal autonomy as Maria confronts her family’s expectations and societal pressures. Similarly “The Stranger” delves into the physiological concept of existentialism, where Meursault grapples with the absurdity of life and the consequences of his actions. 

 The film’s adoption of “Trust” captures the detached and existential atmosphere present in “The Stranger”, amplifying the shared themes and character portrayals. Both works challenge societal expectations and explore the human quest for authenticity, highlighting the universal nature of the struggles. 

 “Trust” and “The Stranger” may belong to different artistic mediums, but their connection lies in their exploration of alienation absurdity in the search for personal authenticity. through the characters and themes presented in both works, viewers and readers are invited to ponder on the complexities of human existence and the quest for meaning in an unpredictable world. The parallel existence of “Trust” in “The Stranger” serves as a testament to the enduring relevance and universality of their shared themes.

Emotionless Echoes

In Albert Camus’s acclaimed novel, “The Stranger,” the protagonist, Meursault, emerges as a perplexing figure, one who remains detached from the world around him, seemingly lacking of emotions. This enigmatic nature is evident throughout the story, as Meursault navigates life’s most profound experiences without displaying the expected emotional responses. 

From the very beginning, Mersault’s indifference becomes apparent when he receives news of his mother’s passing. instead of grieving, he stoically Attends her funeral, showing no signs of sadness or mourning. this lack of emotional connection continues when he encounters an altercation on the beach, leading him to commit a senseless act of violence by killing an Arab. Despite the gravity of his actions and subsequent trial, salt remains impassive, almost disconnected from the consequences. 

Even in his relationships, Meursault’s emotional distance continues. He engages in a physical relationship with Marie, but their connection lacks deeper emotional intimacy. he treats her with a detached nonchalance, seemingly unaffected by her presence or absence. Its indifference extends to his interactions with others as well, he fails to conform to the societal expectations of grief and emotional expression giving for what he has done. 

The most striking example of the results of emotional Detachment is his response to impending death. As his trial unfolds, Meursault embraces his fate with an peace. rather than yielding to fear or despair, he embraces the inevitability of his execution, welcoming it as a long-awaited release. 

 These interconnected events paint a vivid picture of Meursault’s emotional apathy. his lack of emotional response to significant life events challenges conventional norms and raises questions about the nature of human existence. By defying societal expectations, Meursault embodies that absurdity of life, highlighting the inherent disconnection between human beings in the world they live in. 

The Stranger serves as a thought-provoking exploration of the human condition, prompting readers to question the role of emotions and shaping art’s understanding of life.

 In the end, Mersault’s journey leaves us with a haunting realization:  The Stranger Within us all, that enigmatic facet of our existence, can defy societal norms and embrace the Peace of non-emotional, even in the face of life’s most profound experiences.

Brewing Boundaries: exploring the Introvert/extrovery Power dynamics in “Drinking Coffee Elsewhere”

In ZZ Packers captivating short story “Drinking Coffee Elsewhere,” the power dynamics between Dinas Introverted and extraverted ways takes the stage. Throughout the story, Packers vivid storytelling delves into the complexities of human interaction between Dina and her new school experiences at Yale. Dina undergoes a series of transformative experiences during her first time at Yale, showcasing her introverted nature. One example that I believe was a sort of detachment from her peers was when she declared that if she were an object, she would be revolver. This statement reveals her guardedness and reluctance to open up emotionally. By linking herself to a weapon, Dina creates a barrier between herself and others, using it as a tactic to distance herself and avoid forming connections. Her choice of an object associated with the power and protection suggests her inclination to sheild her vulnerabilities and maintain control over her interactions.

Dinas perception of the black community at Yale further shapes her introverted-extroverted power dynamics. She feels a sence of alienation from her peers, believing that she does not understand them. She gives an example in the begging of the story again by saying how she doesn’t understand and dislikes how they seemingly pretend to be privileged, This perception fuels her introverted tendencies as she withdraws and isolates herself form the community, feeling detached and unable to fully engage. The power dynamic between introversion and extroversion is at play here, as Dina’s discomfort and disconnection from her surroundings intensity her introverted nature, reinforcing her desire to maintain distance and protect her individuality.

Another example throughout the story of Dinas introverted self actions is her reluctance to fully let Heidi into her life. Despite Heidi’s attempts at friendship and inclusion, Dina maintains a guarded distance, preferring to keep her personal space. Dina’s consistent desire to stay home alone in her dorm further reinforces her introverted nature, as she prioritizes solitude over social interactions. Dina’s introverted behavior asserts her autonomy and control, influencing the power balance between introverts and extroverts.